Vlavianos, passado e presente / Vlavianos, past and present
Paris 1956 -1961
Vlavianos e Paniaras / Vlavianos and Paniaras
Os anos 60: Vlavianos / The sixties: Vlavianos
Vlavianos, escultor / Vlavianos, sculptor
Os anos 70: Depoimento / The seventies: A statement
Entrevista com Vlavianos / Interview with Vlavianos
Os anos 90 / The nineties
Os anos 80 / The eighties
Nicolas Vlavianos
O "essencialismo" de Vlavianos / The "essentialism" of Vlavianos
Atenas, Paris, São Paulo, Nova York / Athens, Paris, Sao Paulo, New York
Um projeto heraclitiano de vida e obra / An Heraclitean life and work project


N i c o l a s    V l a v i a n o s                                                  S t a t e m e n t
São Paulo, 1971

What mostly fascinates me about sculpture is the physical adventure: at one hand, a growing idea; at the other, a lot of inert materials, but with characteristics of

their own. One going towards the other. In my sculptures there are always two elements present, two antagonistic powers. The dialogue established between these two elements is man’s own history. The mental element and the animal element. Reason and impulse.

The chosen material will determine the work final appearance. Whether polished or dull, wrinkled or delicate, rigid or malleable, sometimes treated with care, sometimes with thrust, it seeks to express the original purpose.


Nicolas Vlavianos
São Paulo, 1971